Queen of heaven, rejoice, alleluia. The Son you merited to bear, alleluia, Has risen as he said, alleluia. Pray to God for us, alleluia.

Christ has made us spiritual children of His Mother, and so she seeks out her children who have run away from the Father's house.

At Calvary, we gaze upon Jesus, the Man of Sorrows. But we also behold Mary, our Sorrowful Mother, because she shares His suffering.

Laetare Sunday is after the mid-point of Lent, when Holy Mother Church reminds us Easter is soon coming.

In studying the liturgical art for the important feasts of the Church year, one of the most impressive is the Icon of the Annunciation.

The Litany's titles set before us Mary's exalted privileges, her holiness of life, her amiability and the power of her heavenly intercession

Pope Pius VII wrote seven prayers to honor Our Lady of Sorrows in 1815 and to obtain the seven graces Mary promises.

The "Beautiful Lady" at Lourdes met Bernadette Soubirous, in a series of 18 events, and said: “Que soy era Immaculada Councepciou.”

Learn the miraculous story of the Virgin Mother's apparitions to St. Catherine Labouré, and of the Miraculous Medal we have receiv.

The Song of Bernadette tells the miraculous story of the Virgin Mary's appearances to St. Bernadette at Lourdes.

The old man in the Temple, Simeon, holds the infant Lord in his arms. He embraces the Christ Child in his arms.

The Ensemble, Voces 8, gives a stirring performance of the Gustav Holst setting of the Canticle of Simeon.

Simeon was priest in the Jerusalem Temple who had been promised by the Holy Spirit that he would not die until he had seen the Messiah.

The celebration of the Holy Family of Jesus, Mary and Joseph, reminds and challenges us to value our family life, hidden from the world.

This documentary investigates one of the most fascinating and controversial mysteries of Christianity - the Holy House of Loreto.

The Scripture teaches us that the three Wise Men discover Jesus "together with His Mother” (Mt. 2:11).

Mozart's Magnificat (K 339) was written for use in the Salzburg Cathedral. This was Mozart's final choral work composed for the cathedral.

The hymn Alma Redemptoris Mater based on the writings of Saints Fulgentius, Epiphanius, and Irenaeus of Lyon.

Mary’s fullness of grace prepared the New Covenant Daughter of Zion for something the Old Covenant people of God could never have fathom.

Probably Franciscan in origin, the Carol, Angelus ad Virginem, was brought to Britain by French friars in the 13th century.