Fr. Scott Haynes A Meditation on Light, Lament, and Christmas Blood The Coventry Candle burns in silence, but it stands beside one of the most sorrowful texts ever sung at Christmastime: Coventry Carol. To understand the candle fully, we must listen to the carol’s words, for they are not sung to the Child, but for the children who never lived to see Him grow. The carol speaks in the voice of mothers. “Lully, lullay, thou little tiny child…” It sounds at first like a lullaby

Fr. Scott Haynes There is a moment in prayer when words fall away and only breath remains. Not silence exactly, but something simpler and more intimate: the steady rhythm of being alive before God. Fum, Fum, Fum belongs to that moment. The refrain does not describe the Nativity. It does not interpret it. It breathes it. Each syllable is shaped by the mouth and released into the air, as breath is. This is fitting, for Christmas is the feast of divine breath made visible. T

“Joy to the world, the Lord is come.” The words burst forth like a trumpet blast. They do not whisper. They do not hesitate. They announce. This is not a private joy, tucked quietly into the corner of a single heart.

Fr. Scott Haynes A Carol with an Unlikely Beginning The hymn we know as O Holy Night was originally written in French as Cantique de Noël in 1847. Its lyricist, Placide Cappeau, was a wine merchant and poet, not a cleric. Though baptized Catholic, Cappeau was politically radical and religiously unconventional. When his parish priest in Roquemaure asked him to write a poem for the newly renovated church organ, Cappeau accepted the task more as an artistic commission than an a

One of Healey Willan's most treasured carol arrangements.

Fr. Scott Haynes When the first clear notes of harp and treble voices rise in Ceremony of Carols , something ancient awakens. This is not Christmas music meant merely to charm or decorate a season. It is music that processes , prays , ponders , and finally kneels . Britten’s work feels less like a concert piece and more like a liturgical act offered in sound. Its Remarkable Birth Ceremony of Carols was composed in 1942, during one of the darkest moments of the twentieth cent

Among the "O" Antiphons, one of the most beautiful is "O Root of Jesse". Healey Willan's setting is evocative and mysterious.

The 4th Sunday of Advent begins with the Introit from the book of the Prophet Isaiah: Rorate Caeli. Learn here the meaning and history.

Enjoy this recording by Harpa Dei of the O Antiphons of Advent.

Learn the interesting history of Silent Night.

Learn the amazing story of the music embedded on the tilma of Our Lady of Guadalupe.

Ecce Panis Angelorum by Alexandre Guilmant

Edward Taylor plays Nun danket alle Gott by S. Karg Elert.

Robert White (c. 1538 – 1574) was an English composer whose liturgical music is considered on par with Taverner and Byrd.

"Blessed Cecilia, appear in visions To all musicians, appear and inspire" W.H. Auden

Alessandro Scarlatti's Messa di Santa Cecilia was written in 1720 and dedicated to cardinal Francesco Acquaviva of Aragona.

This beautiful chant is appointed as the Introit for the 23rd Sunday after Pentecost.